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date | place
| FEB 13-14, 2004
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| YCAM, Yamaguchi, JP
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| OCT 28, 2004
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| Pompidou Centre, Paris, FR
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| OCT 31, 2004
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| Theatre Kikker, Utrecht, NL
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| NOV 5, 2004
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| Teatro la Cavallerizza, Reggio Emilia, IT
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| NOV 20, 2004
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| Eyebeam, New York, US
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| FEB 16, 2005
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| Stuk, Leuven, BE
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| APR 23, 2005
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| Contemporary Arts Centre, Vilnius, LT
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| MAY 12, 2005
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| Usine-C, Montreal, CA
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| MAY 20, 2005
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| Palazzo dei Congressi, Rome, IT
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| OCT 10-11, 2005
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| Melbourne International Arts Festival, Melbourne, AU
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| OCT 15, 2005
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| Klangraum Minoritenkirche, Krems, AT
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| FEB 19, 2006
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| Teatro Canovas, Malaga, ES
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| MAR 3, 2006
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| AV festival, Sage Gateshead, Newcastle, UK
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| MAR 20, 2006
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| Barbican Centre Concert Hall, London, UK
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| MAR 24, 2006
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| Haus der Berliner Festspiele, Maerz Musik, Berlin, DE
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| APR 15, 2006
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| Casa da Musica, Porto, PT
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| JUN 7, 2006
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| Tokyo International Forum Hall C, Tokyo, JP
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| AUG 7, 2006
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| California Theater, San Jose, US
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| OCT 13, 2006
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| Arnolfini, Bristol, UK
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| APR 26-28, 2007
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| Teatro Out Off, Milan, IT
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| MAR 29, 2007
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| TDK Time Warp, Mannheim, DE
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| SEP 15, 2007
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| The Esplanade, Singapore City, SG
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| SEP 19, 2007
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| Art Beijing, Beijing, CN
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| OCT 5, 2007
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| Irish Museum of Modern Art, Dublin, IE
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| OCT 10, 2007
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| Mutek, Mexico City, MX
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| NOV 30, 2007
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| Le Petit Faucheux, Tours, FR
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directed by Ryoji Ikeda
concept, video, music: Ryoji Ikeda
| computer graphics, video editing:
| Shohei Matsukawa
Daisuke Tsunoda
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commissioned by Yamaguchi Center for Arts and Media (YCAM), 2004
produced by Forma
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tech spec
*for the latest tour technical rider, apply to www.forma.org.uk
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This new piece is both a concert and a film that uses data as its material and theme, highlighting the ways in which data shapes our understanding of the world.
Video images of landscapes are progressively abstracted into a language of data. Facts, figures and diagrams are used in a montage with dazzling graphic impact.
The text excerpts elegantly punctuate the on-screen projections. Blurring the lines between nature, science and philosophy, the work subtly and hypnotically suggests the convergence of the real and the virtual.
The soundtrack synchronises perfectly with the graphical and video images to create a piece of undeniable power and beauty.
In this highly atmospheric work, Ikeda strives for an aesthetic of pure data.
Derived from the natural world, from global systems such as economics and from research mathematics, data forms a new material for the artist's explorations.
C  I, in its meticulous composition and technical sophistication, reveals sublime views of reality.
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