• mass
• spin
• data-verse 1
• data-verse 2
• data.gram [n°5]

• code-verse

• data.gram 01 [hadron collisions]
• data.gram 04 [atomic orbitals]
• data.gram 07 [molecular structure of a protein]
• data.gram 10 [DNA sequence: whole]
• data.gram 13 [cells]
• data.gram 16 [human brain]
• data.gram 19 [human body]
• data.gram 22 [cities]
• data.gram 24 [flight traffics]
• data.gram 27 [hurricanes]
• data.gram 30 [the Moon]
• data.gram 36 [supercluster]
• data.gram 39 [the large-scale structure of the universe]

• point of no return
• data.flux [nº1]
• data-verse 3
• exp #1
• exp #2
• exp #3
• exp #4
• grid system [n°2-a]
• grid system [n°2-b]
• grid system [n°2-c]
• grid system [n°2-d]
• data.tecture [nº1]
• data.scape [DNA]
• data.scan [n°1b]
• data.scan [n°2b]
• data.scan [n°3b]
• data.scan [n°4b]
• data.scan [n°5b]
• data.scan [n°6b]
• data.scan [n°7b]
• data.scan [n°8b]
• data.scan [n°9b]

• grid system [n°1-a]
• data.scan [n°1-9]
• spectra III
• A [continuum] 6ch version
• point of no return
• exp #1
• line
• data-verse 1
• data-verse 2
• data-verse 3
• data.flux [nº1]
• test pattern [n°12] extended version

presented by The Vinyl Factory x Fact
in collaboration with Audemars Piguet Contemporary

• data-verse 1
• data-verse 2

• test pattern #016
• test pattern #035
• test pattern #047
• test pattern #045
• test pattern #030
• test pattern #113
• test pattern [film 8]
• test pattern [film 13]
• test pattern [film 23]
• data.scape [DNA]
• 4’33’' [gray]
• 4’33’' [black]
• systematics [nº1-5]
• systematics [nº2-13]
• systematics [nº3-2]
• systematics [nº4-2]
• systematics [nº6-20]
• data.scan

• A [continuum]
• code-verse
• grid system [nº1-a]
• thought experiment #1-4
• thought experiment #5-8
• point of no return
• test pattern [film 20-22]
• test pattern #068
• test pattern #083
• test pattern #110
• test pattern #003
• test pattern #027
• test pattern #054
• π, e, ø
• data.scan [nº1-9]
• systematics [nº2-8]
• systematics [nº3-1]
• systematics [nº1-3]
• systematics [nº4-3]
• systematics [nº4-4]
• 4’33’'
• 4’33’' [black]
• 4’33’' [gray]
• 0’10’'
• the planck universe [macro]

• point of no return
• data.tron [3 SXGA+ version]
• data.scan
• data.tecture [nº1]
• grid system[nº1-a]
• 4’33’'
• the radar [3 WUXGA version A]

• code-verse

As part of Japonismes 2018
Curated by Marcella Lista
co-organized by the Centre Pompidou and the Japan Foundation, with thanks to the Almine Rech Gallery

• code-verse
• A [continuum]

concept, composition: Ryoji Ikeda
programming, computer graphics: Norimichi Hirakawa, Tomonaga Tokuyama, Yoshito Onishi, Satoshi Hama
technical management: Tomonaga Tokuyama

• the planck universe [micro]
• the planck universe [macro]

concept, composition: Ryoji Ikeda
computer graphics, programming: Shohei Matsukawa, Tomonaga Tokuyama

• data.tron [WUXGA version]

• data.matrix [nº1-10]
• data.tron [WUXGA version]
• π, e, ø [installation version]
• 4’33’' [gray]
• test pattern [film 14]
• test pattern [film 19]
• test pattern [film 7]
• π, e, ø
• the irrational (ø) [nº1-c]
• the transcendental (π) [nº1-e]

• the transcendental (π) [nº1-e]
• the transcendental (e) [nº2-d]
• the transcendental (π) [nº1-2d]
• the irrational (ø) [nº1-c]
• the irrational (ø) [nº1-2b]
• the irrational (√2) [nº2-a]
• grid system [nº1-a]
• π, e, ø [installation version]
• π, e, ø
• 4’33’' [gray] 
• 0’10’'
• test pattern [film 7]
• test pattern [film 14]
• test pattern [film 19]
• systematics [nº2-1]
• systematics [nº2-2]
• systematics [nº1-2]
• systematics [nº4-1]
• systematics [nº4-2]
• systematics [nº3-4]
• data.scan [nº1-9]

concept, composition: Ryoji Ikeda
computer graphics, programming: Tomonaga Tokuyama and Ryoji Ikeda Studio

• data.matrix [nº1-10]

• supersymmetry [experience]
• supersymmetry [experiment]

• data.matrix [nº1-10]
• data.scan [nº1-9]

concept, composition: Ryoji Ikeda
programming, computer graphics: Norimichi Hirakawa, Tomonaga Tokuyama, Yoshito Onishi, Satoshi Hama
technical management: Tomonaga Tokuyama
curated by Peter Weibel and the artist

• the planck universe [micro]
• the planck universe [macro]
• supersymmetry [experience]
• supersymmetry [experiment]

Director: Sabine Himmelsbach
Assistant Curator: Alexandra Adler
With the cooperation of Gallery Koyanagi

• C⁴I [screening version]
• data.scan [nº1-9]
• systematics [nº1]
• systematics [nº2]
• systematics [nº3]
• systematics [nº4]
• gridsystem [nº1-a]
• data.tron [3K version]

the transcendental (e) [nº2-a]
the transcendental (e) [nº2-b]
the transcendental (e) [nº2-e]
systematics [nº1-6]
systematics [nº1-7]
systematics [nº2-14]
systematics [nº2-15]
systematics [nº2-16]
systematics [nº2-17]
systematics [nº2-18]
systematics [nº2-19]
0’10”
test pattern [film 4]
test pattern [film 7]
test pattern [film 14]
4’33” [gray version]

• π, e, ø [installation version]
• gridsystem [nº1-a]
• systematics [nº1]
• systematics [nº2]
• systematics [nº3]
• systematics [nº4]
• systematics [nº5]
• systematics [nº6]
• data.scan [nº6]

DHC/ART Foundation for Contemporary Art

Curator: John Zeppetelli
Associate Curator: Cheryl Sim
Technical Director: James Prior
Head Technician: Chris Lloyd
Technicians: Stacy Lundeen, Dean Baldwin, Karen Kraven, David Carrier, Adrienne Spier, Eric Gingras

With the cooperation of Gallery Koyanagi 

The Ryoji Ikeda exhibition is supported by the Japan Foundation and is presented as part of the International Digital Arts Biennial. Elements of this installation were provided by Park Avenue Armory.

• π, e, ø [installation version]
• the transcendental (π) [nº1-e]
• the transcendental (e) [nº2-b]
• the irrational (ø) [nº1-a]
• the transcendental (e) [nº2-a]
• systematics [nº1-1]-[nº1-5]
• systematics [nº2-1]-[nº2-12]
• systematics [nº3-1]-[nº3-3]
• systematics [nº4-1]-[nº4-4]
• 0’10"
• 4’33"
• gridsystem [nº1-a]
• the irrational (ø) [nº1-2a]
• systematics [nº5-1]-[nº5-10]
• systematics [nº6-1]-[nº6-20]
• line
• data.tron [advanced version 2]
• data.matrix [nº1-10]
• data.scan [nº1-9]

a project by Freunde Guter Musik Berlin e.V. and
Nationalgalerie im Hamburger Bahnhof – Museum für Gegenwart (Berlin, DE).
in collaboration with Berliner Festspiele / MaerzMusik 2012.
made possible by funding from Ernst Schering Foundation and Hauptstadtkulturfonds.
technical partnership: Skylight, Paris, FR
in cooperation with Gallery Koyanagi, Tokyo, JP
thanks to Jean-Marie Leriche, Kamal Ackarie and Sho Kuwajima

• db
• the irreducible [n°1-10]
• the transcendental (π) [n°1-a]
• the transcendental [n°3]
• the transcendental [n°4]

Produced by Fundación La LABoral. Centro de Arte y Creación Industrial

Technological partner: projection design

LABoral CENTRO DE ARTE Y CREACIÓN INDUSTRIAL

Artistic Director: Benjamin Weil
General Manager: Lucía García Rodríguez
Head of Exhibitions and Publications: Ana Botella Diez del Corral Assistance to Exhibitions Department: Patricia Villanueva*
Head of General Services: Ana I. Menéndez Education: Lucía Arias* Communication: Pepa Telenti Alvargonzález*
*Lacera Servicios y mantenimiento

BOARD OF TRUSTEES OF FUNDACIÓN LA LABoral. CENTRO DE ARTE Y CREACIÓN INDUSTRIAL

President: Emilio Marcos Vallaure, representing the Principado de Asturias First Vicepresident: Francisco Crabiffosse Cuesta, representing the Principado de Asturias
Second Vicepresident: Nicanor Fernández Álvarez, representing HC Energía

Board Members:

Principado de Asturias, represented by Carlos López Graña & Luis Amadeo Canal Fernández
Ministerio de Cultura, represented by Faustino Díaz Fortuny Ayuntamiento de Gijón, represented by Carmen Moriyón Entrialgo Autoridad Portuaria de Gijón, represented by Emilio Menéndez Gómez
Caja de Ahorros de Asturias, represented by César José Menéndez Claverol Fundación Telefónica, represented by Francisco Serrano Martínez

Benefactor Corporate Member: Alcoa Inespal S.A., represented by José Ramón Camino de Miguel

Associated Corporate Members: Dragados S.A., represented by Rafael Martín Huertas, FCC Construcción S.A., represented by Julio Senador-Gómez Odériz

Secretary: José Pedreira Menéndez

Collaborators: Ministerio de Industria, Turismo y Comercio Emulsa

• data.tecture [5 SXGA+ version]

Exhibition produced by the National University of Colombia Curatorship: María Belén Sáez de Ibarra

DIRECCIÓN NACIONAL DE DIVULGACIÓN CULTURAL

Director: María Belén Sáez de Ibarra
Director Assistant: Dora Rodríguez Martínez
Finance and Administration Director: Martha Rugeles Rodríguez Museo de Arte’s Coordinator : Louise Poncet
Production Manager: Yamile Velosa Camargo
Sound and Lighting: Moisés Romero
Graphic Design and Web: Carolina Consuegra Rincón. Wilmar Lozano Technical Supplier: SONIC DESIGN. Leonardo Vilar

• data.tron [3 SXGA+ version]
• data.tron [WUXGA version]
• data.matrix [nº1-10]
• data.scan [3×3 grid version]
• dataphonics [installation version]
• data.microfilm [nº1]
• data.microfilm [nº2]
• C⁴I [screening version]

Commissioned by Park Avenue Armory
Curated by Kristy Edmunds
Produced by Park Avenue Armory and Forma
This program is supported by Bank of Tokyo-Mitsubishi UFJ, Ken Kuchin, the New York City Department of Cultural Affairs in partnership with the City Council, and The Surrey.

All works © Ryoji Ikeda 2011

• test pattern [enhanced version]
• data.tron [advanced version]
• data.scan [1×9 linear version]

• test pattern [nº3]

• 0’10"
• 4’33"
• data.film [nº1-b]
• π, e, ø
• data.scan
• data.tron
• test pattern [film 1-6]
• the transcendental (π) [nº1-c]
• the transcendental (e) [nº2-c]

• the transcendental (e) [nº2-a]
• the transcendental (e) [nº2-b]
• the transcendental [nº3]

• NY1 (video)
• The New York Times
• The Wall Street Journal
• Broadway World.com

• data.tron
• data.scan

• data.tron [3 SXGA+ version]
• data.matrix [nº1-10]
• the transcendental (e) [nº2-a]
• the transcendental (e) [nº2-b]
• data.film [nº1-a]
• the irreducible [nº1-10]
• matrix [5ch version]

• data.tron [8K enhanced version]

• data.tron

• a prime number
• a natural number
• line
• spectra III

• data.tron
• data.film [nº1-a]
• test pattern [nº1]

• data.tron

• db