Using pure data as a source for sound and visuals, datamatics combines abstract and mimetic presentations of matter, time and space in a powerful and breathtakingly accomplished work. datamatics is the second audiovisual concert in Ryoji Ikeda's datamatics series, an art project that explores the potential to perceive the invisible multi-substance of data that permeates our world. Projecting dynamic, computer-generated imagery - in pared down black and white with striking colour accents, Ikeda's intense yet minimal graphic renderings of data progress through multiple dimensions. From 2D sequences of patterns derived from hard drive errors and studies of software code, the imagery transforms into dramatic, rotating views of the universe in 3D, whilst the final scenes add a further dimension as four-dimensional mathematical processing opens up spectacular and seemingly infinite vistas. A powerful and hypnotic soundtrack reflects the imagery through a meticulous layering of sonic components to produce immense and apparently boundless acoustic spaces. datamatics, alongside the recently released and critically acclaimed dataplex album, marks a significant and exciting progression in Ikeda's work.

datamatics [ver 2.0] is the new, full–length version of Ryoji Ikeda's acclaimed audiovisual concert. For datamatics [ver.2.0], Ikeda has significantly developed the earlier version of this piece (premiered in March 2006), adding a newly commissioned second part. Driven by the primary principles of datamatics, but objectively deconstructing its original elements – sound, visuals and even source codes – this new work creates a kind of meta–datamatics. Ikeda employs real–time programme computations and data scanning to create an extended new sequence that is a further abstraction of the original work. The technical dynamics of the piece, such as its extremely fast frame rates and variable bit depths, continue to challenge and explore the thresholds of our perceptions.

data.tron [8K enhanced version] is part of the datamatics project. The new work is an enhanced version of the audiovisual installation data.tron, where each single pixel of visual image is strictly calculated by mathematical principle, composed from a combination of pure mathematics and the vast sea of data present in the world. In this latest version visitors are literally immersed in the work, as data is seamlessly projected onto the gallery wall and floor from eight sources.

How many points are there in a line?
What is the number of numbers?
How can we verify that the random is random?

data.tron is part of the datamatics project, which is a series of experiments that explore such questions, physically and mathematically. Visitors will experience the vast universe of data in the infinite between 0 and 1.

data.tron is an audiovisual installation, where each single pixel of visual image is strictly calculated by mathematical principle, composed from a combination of pure mathematics and the vast sea of data present in the world. These images are projected onto a large screen, heightening and intensifying the viewer's perception and total immersion within the work.

data.scan is an audiovisual installation composed from a combination of pure mathematics and the vast sea of data present in the world. Each single pixel of the visual image is strictly calculated by mathematical principle. Visitors to the exhibition will experience the vast universe of data in the infinite between 0 and 1.

data.scan presents an audio-visual relationship relating to large sets of data from two recent meta-scientific investigations that have mapped the human body and the astronomical universe. The horizontal monitor-based data.scan is registered intimately in relation to the viewer’s body. The dialogue of sound and image in data.scan addresses notions of randomness, extremities of scale, and binaries of the visible/audible and invisible/inaudible.

How many points are there in a line?
What is the number of numbers?
How can we verify that the random is random?

data.film is part of the datamatics project, which is a series of experiments that explore such questions, physically and mathematically. Visitors will experience the vast universe of data in the infinite between 0 and 1.

A sculptural wall installation, data.film consists of a series of 35mm film mounted in a light box. The image on the film is constructed from microscopically printed data codes and patterns from pure digital sources, while the unusual proportions of the light box (4 cm high, 10 metres wide, 4 cm deep) create a long, narrow strip of film. Only upon close examination by the viewer can the film and its contents be recognised.

data.spectra is the first work of the data.series. Across the entire width of a darkened room is an intensely bright, narrow screen. On moving closer, the screen reveals that the source of the flood of light into the room is a vast array of tiny digits streaming across the surface, seemingly without end.

developing and researching alongside the radio program series, this [multi-channel concert] demonstrates the results of the investigation about the fundamental concept of digital, the data of sound, the sound of data. it is performed in a pitch-dark space as a multi-channel concert with a matrixed setup of specific loudspeakers, which forms a unique spatiotemporal sound field to listeners. the experience is straight-ahead physical, and is a series of experiments to test one's potential how (much) he/she can perceive and decipher the infinite numbers of data-codes in the blind state.

dataphonics [radio program series] consists of 10 six-minutes segments, each one is narrow-focused into a single parameter that is one of the significant elements what music/sound is. the approach is in-between conventional composition and scientific research - with a microscopic engineering method and a certain aesthetic point of view by the artist. the series is also an homage to Pierre Scheaffer's "Solfege de l'objet sonore", however, which never merely retraces his work, its concept deeply lies today's 0s and 1s situation and seek a possibility to materialize the invisible domain of "totally-pure-digital-data". at the end of the 10 compositions, a long composition will be broadcasted as the final result of this project, an artistic demonstration of the investigation about the fundamental concept of digital, data of sound, sound of data.